2019 the dead are not altogether powerless, Boundary, Chicago, IL

2018 in the absence of sight, (SCENE) Metrospace at MSU Galleries, Michigan State University, East Lansing, MI

2017 Breathing Room, Roman Susan, Chicago, IL
          the means by which we make an opening, THE SUB-MISSION/MISSION Projects, Chicago, IL

2016 Focusing (Vol. II), Corner, Chicago, IL
          BUILD, HUME Gallery, Chicago, IL

2014 State of Emergency, Institut für Alles Mögliche, Berlin, Germany

2012 with time, Untitled Gallery@Marwen, Chicago, IL


2019 Ríos Intermitentes, organized by Maria Magdalena Campos-Pons for Havana Biennial XIII, Matanzas, Cuba

2018 The Poetics of Relation, curated by Sheridan Tucker, Gaylord and Dorothy Donnelley Foundation, Chicago, IL
Kayumanggi: Post Colonial Filipinx, curated by Karlota I. Contreras-Koterbay, Tipton Gallery, East Tennessee State University, Johnson City, TN

2017 One, curated by Justin Witte, Cleve Carney Gallery, Glen Elyn, IL
          Subdivision, curated by Allison Lacher and Jeff Robinson, University Galleries of Illinois State
          University, Normal, IL

2016 Power and Politics, curated by Barbara Tannenbaum, Filter Space, Chicago, IL
          Code/Switch, curated by Kayla Anderson Woman Made Gallery, Chicago, IL
          New Business, curated by Dan Devening, Hyde Park Art Center, Chicago, IL
          Secular Studies, curated by Sadie Woods, CAC/HATCH Projects, Chicago, IL

2015 Nitty Gritty, curated by Sadie Woods, CAC/HATCH Projects, Chicago, IL
          Alternative Topographies, curated by Elizabeth Kauffman, Salisbury University Electronic Gallery, Salisbury, MD
          Decay/Reverberate, curated by Colin Tucker, Silo City, Buffalo, NY

2014 Omission, curated by Leah Haefner and Jay Katelansky,  Art Lofts Gallery @ UW-Madison, Madison, WI
          Midway, curated by MFA candidates at UIC, Gallery 400, Chicago, IL

2012 Audible Observatories, curated by Ethnographic Terminalia, SOMArts Cultural Center, San Fransisco, CA

2011 An Exchange with Sol Lewitt, curated by Regine Basha, MASS MoCA, Amherst, MA


2018 Transmit 3.x, Kaneko, Omaha, NE
          new works for voice and circular inhalation, Resonant Bodies Festival, Chicago, IL
         YOUARENEVERALWAYSHERE, Box Gallery @ Compound Yellow, Oak Park, IL

2017 from nothing, a process of making, Defibrillator Gallery, Chicago, IL
         Transmit 3.x, Radical Networks Festival, New York City, NY
         upon the horizon, a space of unknowing, Art Institute of Chicago, Chicago, IL
         The surface is only as hard as its pores, Chicago Home Theater Festival @ Pilsen, Chicago, IL
         Song for an Hour, Mana Contemporary / 2nd Floor Rear Fest, Chicago, IL

2016 Gather: Salmon/McClenon/Acierto, Comfort Station, Chicago, IL
          Transmit 2.0, RE/NIGHT/LIVE/MARE, ACRETV, Online/Chicago, IL
          Transmit 1.5, Oscillations Series, Experimental Sound Studio, Chicago, IL
          breath is to pulse as renewal is to becoming, The Beautiful Ones Series, Chicago Artists Coalition, Chicago, IL
          searching for the thing that may not be real as part of Richard Williamson’s Good Times Waiting Room, UChicago
          booth, EXPO Chicago, Chicago, IL
          the weight of our arrival, Defibrillator Gallery, Rapid Pulse International Performance Art Festival, Chicago, IL
          Reeds, Expanded Art History for Plants #4, UIC Greenhouse and Plant Research Laboratory, Chicago, IL
          MCA Live: Alejandro T. Acierto, Transmit, Museum of Contemporary Art Chicago, Chicago, IL

2015 Being in the Moment, Chicago Latino Music Festival, Logan Center for the Arts, Chicago, IL
          The air we breathe, Art Institute of Chicago, Chicago, IL
          breathing room, Chicago Home Theater Festival @ Logan Square, Chicago, IL
          ECSTATIC STATIC, Live to Tape Festival, Links Hall, Chicago, IL
          All that remains, Omaha Under the Radar, Omaha, NE

2014 Imprint, Chaotic Moebius, Basel, Switzerland
          Water Music on the Beach, 6018North, Chicago, IL
          stay in touch, Counterpath, Denver, CO
          Extinct Entities: Reverse Shot, Links Hall, Chicago, IL
          a|b, Slingshot Festival of Music, Electronic Art, and Technology, Athens, GA

2013 New Music DePaul, DePaul University School of Music, Chicago, IL

2012 Technics: New Voices in Performance, Center for Performance Research, Brooklyn, NY


2016 Nine to Five, Nightingale Cinema & Comfort Station, Chicago, IL

2015 CHICAGQ, MIX NYC: 28th Queer Experimental Film Festival, Brooklyn, NY
          Specialties of the House, Samsøn Projects, Boston, MA  
2014 Staring at Sound, Film Society of the Lincoln Center, New York, NY  
          CIMMFest, The Whistler, Chicago, IL
         :45&45s, Comfort Station, Chicago, IL
          Fallow Time Movement Research Festival: Prepared Field, Issue Project Room, Brooklyn, NY
          Special Effect Festival, Participant Inc., New York, NY

2013 WAY STATIONS, Nightingale Cinema, Chicago, IL


2015 Deep Breaths, performances and screenings, Arc Gallery, Chicago, IL
2014 Encounters at the Edge of the Forest, Gallery 400, Chicago, IL


2014 Master of Fine Arts in New Media Arts
          University of Illinois at Chicago, Chicago, IL

         Skowhegan School of Painting and Sculpture
         Madison, ME

2010 Master of Music in Contemporary Performance
          Manhattan School of Music, New York, NY

2008 Bachelor of Music in Composition and Clarinet Performance, minor in Asian American Studies
          DePaul University, Chicago, IL


2016 I Can Only See Shadows, directed by Marissa Lee Benedict and David Rueter, composer and performer
2015 This Is Where Wool Comes From, directed by J. Louise Makary, location sound and boom operator


2014 amid these traces, Prom Night Records
2013 those prone to dysphasiatic utterances, self released
         *AND compilation with Matt Evans, Parlour Tapes+


2017 various composers, Hold your breath (forthcoming), Parlour Tapes+
2016 Michael Kuehn, Object/Shadow, New Focus Recordings
2014 Robert Honstein, RE:you, New Focus Recordings
2013 Aaron Einbond, Without Words, Carrier Records
2012 John Cage, Cage, Unlocked, Avant Media
2011 Alex Mincek, S/T, Carrier Records
          John Eaton, The Curious Case of Benjamin Button, Albany Records


2016 David Smooke, Nutshell Studies of Unexplained Death, multiple performers, New Focus Recordings
          George Lewis, The Will to Adorn, International Contemporary Ensemble, Tundra
          Marcos Balter, Aesopica: Music of Marcos Balter, International Contemporary Ensemble, Tundra
          various composers, Garden of Diverging Paths, Mivos String Quartet, New Focus Recordings
2015 various composers, Lungpowered, loadbang, New Focus Recordings


2017 "Breakout Artists 2017", Chris Reeves, Newcity Art, May 1
         " 'Subdivision' Has Open Door Policy For Artists", Laura Kennedy, WGLT, Mar 23
         "Recapping Open Engagement 2017", Kerry Cardoza, Newcity Art [online], April 29
2016 “Alejandro Acierto Shares Your Frustrations”, Brad Fiore, Newcity Art, Nov 11
         “Review: Frequency Festival in Chicago Offers the Complicated and Compelling”, David Allen, New York Times, Mar 1
          “Alejandro Acierto Interview”, Madeline Bolton (author), Laura Kina (ed), Asian American Art Oral History Project,
          Paper 84
2011 “An exchange with Sol Lewitt”, Regine Basha (curator), Cabinet.


2017 “A circularity of being”, On Seeing Shadows [Working Title], Marissa Lee Benedict & David Ruder (editors),
          Ultraviolet Press (forthcoming).
          “Selections from Focusing (Vol II).” Fwd: Museums 2, no. 1, Small (2017).
          "WE REJECT at Slate Arts and Performance." Cacophony Magazine, January 2017,
2016 “Almost now: Tier Point Data Center (redundant)”, Field Trip / Field Notes / Field Guide Vol. I, Arts, Science, &
          Culture Initiative at University of Chicago.
          “DEEP BREATHS: Listening to the Breath of Cinema.” FOCI Arts, FOCI Words, November 2016,
          “Sounding Public Formations.” Cacophony Magazine, November 2016,
          “Our Cyborg Condition.” Museum of Contemporary Art Blog, MCA DNA, March 29, 2016,
2015 Contemporary Performance Almanac 2015, Caden Manson & Jemma Nelson (editors),
          Contemporary Performance Press.
2013 Emergency Index: Documenting Performance Annually, Yelena Gluzman & Sophia Cleary (editors),
          Ugly Duckling Presse.
          Contemporary Performance Almanac 2013, Caden Manson & Jemma Nelson (editors),
          Contemporary Performance Press.
2012 Emergency Index: Documenting Performance Annually, Yelena Gluzman & Sophia Cleary (editors),
          Ugly Duckling Presse.


2017 3Arts Awardee, 3Arts, Chicago, IL
2016 Marwen Alum Award for the Center Program at the Hyde Park Arts Center
2014 University of Illinois at Chicago Provost’s Research Award
          University of Illinois at Chicago Graduate Student Council Travel Award
2013 University of Illinois at Chicago Graduate Teaching Fellowship
          University of Illinois at Chicago Graduate Student Council Travel Award
2012 Kranichsteiner Musikpreis for interpretation, Darmstadt Festival for New Music, Germany
          University of Illinois at Chicago Graduate Student Council Travel Award
2011 Emergency Grants, Foundation for Contemporary Arts, New York, NY
2010 Banff Centre Creative Residency Fellowship, Alberta, Canada
          Kranischteiner Stipiendienpreise for interpretation, Darmstadt Festival for New Music, Germany


2018 Artist In Residence, LATITUDE, Chicago, IL
2016 Artist In Residence, Corner Gallery, Chicago, IL
          The Center Program, Hyde Park Arts Center, Chicago, IL
          Field Trip/Field Guide/Field Notes Consortium Fellowship (UChicago, SAIC, UIC), Chicago, IL
2015 Chicago Artists Coalition HATCH Projects Residency, Chicago, IL
2014 Artist in Residence, Institut für Alles Mögliche, Berlin, Germany
2013 Artist in Residence, High Concept Laboratories, Chicago, IL
2010 Individual Project Residency, Banff Centre for the Creative Arts, Alberta, Canada
          Virginia Center for the Creative Arts, Amherst, VA


contact me for full CV