The Dead Are Not Altogether Powerless @ Boundary (solo exhibition)
Mar
16
to Apr 13

The Dead Are Not Altogether Powerless @ Boundary (solo exhibition)

“He gave his life to satisfy the State”

Last Mile Blues, Ida Cox

“If there is no fear in the law, wala yanYung hanging, once the spine is ripped off inside, wala na. Just like putting off a light.”

statement by then presidential candidate Rodrigo Duterte, May 17, 2016

This is an elegy for the departed, for the incarcerated, for those forced out from their lands. It is a pause and a repeating, a suspension of time tracing the shape of a fall tethered to imported wooden posts. A displacement of time, a consolidation of space, it echoes from the then and there only to be amplified in the here and now. Split by the ocean, it is a place outside of empire while acknowledging its tragedy. It is a haunting and a recurrence, a consistent presence of being.

It loops in the moment before the light goes out. It sways between the black and brown. It slows before the moment of rupture only to reiterate the conditions of its existence.

It is alive in its entrapment, caught before its transition. It cannot be lost for this is what remains.  


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FORMS AND FIGURES
Jan
25
8:00 PM20:00

FORMS AND FIGURES

The performing body is intimate; it is exposed to harm, to the vulnerability of error, and the unmasking of things normally hidden. In performance, subjectivity, dislocated from objective knowledge, becomes a fully formed subject drawing correlations to sources outside the individual body. Stories emerge at the blending of interior and exterior, where the personal offers insight into constructed subjects and concepts. Through this, new avenues emerge to interpret the very relationship of subjectivity, subject, and subject hood. The presence of a lens further drives this multiplicity; part, half, or all of the body and its stage can be subtracted, while editing can alter the perception of action or proximity to the performer.

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You Want Them to Notice @ COOP (two-person exhibition)
Jan
5
to Jan 26

You Want Them to Notice @ COOP (two-person exhibition)

  • COOP @ The Packing Plant (map)
  • Google Calendar ICS

COOP Gallery is pleased to present You Want Them to Notice, an exhibition of multidisciplinary work by the gallery’s newest members, Alejandro T. Acierto and Bradley Marshall. Each year COOP invites local and newly transplanted artists to join its ranks in recognition of the seriousness of their work and their significant contributions to Nashville’s artist community. This year’s show is indicative of the diverse range of media and conceptual approaches that contemporary artists engage with, and exemplifies COOP’s commitment to the greater visual arts dialogue within our local community.


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Memento Mori with Ammie Brod @ Milwaukee Art Museum
Dec
13
7:30 PM19:30

Memento Mori with Ammie Brod @ Milwaukee Art Museum

Violist and chamber musician Ammie Brod has commissioned new works for viola by composers Alejandro T. Acierto, Lisa Atkinson, Jacob Sudol, and LJ White to expand the solo and chamber repertoire. The program will also include a previously composed solo by Katherine Pukinskis (Quiet Threnody, 2015), written for her as part of the University of Chicago's Project Incubator.

More information coming soon!

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Memento Mori with Ammie Brod @ Constellation
Dec
9
8:30 PM20:30

Memento Mori with Ammie Brod @ Constellation

Violist and chamber musician Ammie Brod has commissioned new works for viola by composers Alejandro T. Acierto, Lisa Atkinson, Jacob Sudol, and LJ White to expand the solo and chamber repertoire. The program will also include a previously composed solo by Katherine Pukinskis (Quiet Threnody, 2015), written for her as part of the University of Chicago's Project Incubator.

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Collecting Ourselves: On the Problems and Potential of Archives
Oct
27
2:00 PM14:00

Collecting Ourselves: On the Problems and Potential of Archives

Working in partnership with LATITUDE Chicago and the Philippine Heritage Collection at the Field Museum of Natural History, I am bringing together an interdisciplinary group of scholars and archivists to hold a conversation on archival processes, categorization, and information.

Open to the public and RSVPs are highly recommended for free admission.

RSVP HERE

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Ryan Packard @ High Concept Labs
Oct
6
7:30 PM19:30

Ryan Packard @ High Concept Labs

Chicago-based percussionist, sound artist, and composer Ryan Packard is developing a new evening-length work as part of a residency at High Concept Laboratories @ Mana Contemporary. Featuring a clarinet trio of Alejandro T. Acierto, Zach Good, and Jeff Kimmel, a professional and amateur choir, and subwoofers.

more info and performer list coming soon.

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Oct
4
to Oct 25

Kayumanggi: Post Colonial Filipinx

  • Tipton Gallery, East Tennessee State University (map)
  • Google Calendar ICS

The ‘Kayumanggi: Post Colonial Filipinx’, a group exhibition featuring Filipino American artists is curated by Karlota Contreras-Koterbay as part of the Diverse & Beautiful: Black Asian and Hispanic Appalachia project. The multimedia exhibition focuses on the politics of skin color and post colonial investigation of the nuanced, hybrid identity through art as agency, with interest on use of new media, and technology such as in the form of photography, film/video, sculptural installations and animation.

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Panelist @ Filipino American National Historical Society
Jul
12
to Jul 13

Panelist @ Filipino American National Historical Society

Mestisx Filipinxs in the Midwest Fe Rowland of FANHS-MI will moderate a panel discussion on Mestisx identity (persons of mixed racial descent) by Alejandro T. Acierto, Aurora Esperanza Harris, and Terese Guinsatao Monberg. Panelists will discuss how their Mestisx identities are connected to historical social struggles, art, education, and community engagement. 

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Archivist-in-Residence in The Back Room at Kim's Corner Food
Jun
25
to Aug 1

Archivist-in-Residence in The Back Room at Kim's Corner Food

One of four residencies made possible by a 2017 Propeller Fund grant, these residencies are conceived as platforms for experimental responses to the ongoing project of The Back Room and its unique context in the realm of Kim's Corner Food and Thomas Kong's practice.1371 West Estes Avenue, organizers Dan Miller and Nathan Abhalter Smith are excited to transition the focus of their programming from an exhibition space to a nakedly work-in-progress-driven operation.

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AFTER LIFE (what remains)
Jun
16
to Jul 21

AFTER LIFE (what remains)

Curated by Thea Quiray Tagle, AFTER LIFE (what remains) is an multi-genre visual art and performance exhibition that stages a conversation between Asian Pacific American and indigenous artists around the question: what new strategies are needed to survive after environmental catastrophe and military intervention, by communities facing displacement and dispossession? How can speculation, humor, and fantasy fuel larger movements for social change around the Pacific Rim—from the Pacific Northwest, to California, to Southeast and East Asia—and in the heartland of the USA? 

Works by Alejandro T. Acierto, Michael Arcega, Leeroy New, Super Futures Haunt Qollective, and Rea Tajiri.

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Keynote for Rise Up: Elevate Graduation Banquet for Asian/Pacific Islander American Students
May
31
6:00 PM18:00

Keynote for Rise Up: Elevate Graduation Banquet for Asian/Pacific Islander American Students

The 2nd annual Graduation Banquet for Asian/Pacific Islander American Students with ELEVATE. This is a gathering of graduating students and loved ones to celebrate the accomplishments of the APIA community at DePaul. As part of the reception, there will be a performance by DePaul's Asian Cultural Exchange student organization, a keynote address by Alejandro T. Acierto, and a gift for graduates.

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May
24
5:45 PM17:45

Panelist @ Latin American Studies Association

For the panel "Experiencing Vision and Space in the American Empire", I will present my paper "Sustained constraint: Locating the colonial imaginary through material abstractions of the breath" that discusses the US colonial project in the Philippines as sustained through structures that constrained and/or prohibited Filipino breath. 

 

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May
3
to Jun 30

THE DANGEROUS PROFESSORS (Houston edition)

The Dangerous Professors, a curatorial project by Ruslana Lichtzier, works to counteract the pervasive right wing forces that jeopardizes civil, artistic and academic freedom. The project employs exhibitions, public programs, and an accompanying website to serve as a platform for the collective development of strategies toward the idea of radical education.

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YOUARENEVERALWAYSHERE
Apr
28
6:00 PM18:00

YOUARENEVERALWAYSHERE

text: YOUARENEVERALWAYSHERE is an exploratory work that ruminates on the nonlinear. Enclosed within an enclosure and pushing out from within, the box of Box Gallery  becomes a placeholder for an unpredictable set of new material that emerges from inside. As a site that is an object but also utilitarian in nature, the box withholds the capacity for a recognition of space, one that upends the linearity of progression as other dimensions complicate the singular. Using Box Gallery as a point of departure, as one that allows for the space of Compound Yellow to become activated through performance, this multichannel sound performance opens up a recognition of place through a series of fixed and unfixed events that may happen in the space.

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Guest Performance @ University of Michigan
Feb
16
7:00 PM19:00

Guest Performance @ University of Michigan

  • Earl V. Moore Building, Chip Davis Technology Studio (map)
  • Google Calendar ICS

Performing a guest recital for the Department of Performing Arts Technology.
FREE


Program includes: 
Cavities (2014) for amplified circular breath in 2 channels
upon the horizon, a space of unknowing (2017-18) for contrabass clarinet, fixed media, transducers, and live processing in 3 channels
Transmit 3.x (2016-ongoing) for voice, fixed media, and live processing in 4 channels (20-25 minutes in one part) 

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Feb
16
3:00 PM15:00

Guest Lecture @ University of Michigan

I have been invited as a guest to give my lecture "Re/figuring mechanical disruption and the mediated body" which begins with two recorded projects completed between 2013-2014 and leads towards a expansive performative practice. Considering how mediation informs my musical and installation-based works for contrabass clarinet, voice, and the breath, I will address how material consequences of technologies and their sonic affect alter my performance practice. Drawing upon the idea that amplification technologies become a sort of sonic prosthesis that transmits the body, the works I will present highlight the tensions between the body and its mediation and consider the ways sound in an expanded field can be articulated within and through technology.

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